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Giles Sherwood
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Making The Worst Person in the World
Undressing a Legacy
Athina Rachel Tsangari: Cinema on the Edges
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Herschell Gordon Lewis: The Godfather of Gore
In Full Swing
Mia Mask On Bojangles Of Harlem
Poisoned Romance
George Stevens Jr. On 'Swing Time'
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Way Out on a Limb
Passion Project
Off the Hook: The Making of 'The Lure'
The Film That Warped Too Much: A Restoration Demonstration
Ozu & Noda
Where It Began: The Origins of WALL·E
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A Visit to the Pixar Living Archive
Anatomy of a Scene: The Plant
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Reflecting On Take Out
Weimar on the Pacific
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Dietrich Icon
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Homay King on 'Shanghai Express'
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Functions of Film Sound
Jay Cocks and Farran Smith Nehme on 'The Heiress'
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Evan Dalton Smith on Andy Griffith
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Ron Briley on 'A Face in the Crowd'
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Babe Ruth Footage
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Andrew Cohen on Crisis and Its Outtakes
Jill Drew and D.A. Pennebaker
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Robert Drew & Associates at the Museum of Tolerance
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Giving Up the Ghost
Miranda July: Where it Began
The Making of "Marriage Story"
The Highest Standards — Shih Chun on A Touch of Zen
The Reluctant Lead — Hsu Feng on A Touch of Zen
A Touch of Art — Ang Lee on King Hu
Art-house Martial Arts — Tony Rayns on A Touch of Zen
Shooting 'Blood Simple'
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Something in the Air: Making "sex, lies, and videotape"
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Cliff and Larry: Beginnings
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No Boundaries: A Cure Conversation
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In Her Own Image: Kelley Conway on Agnès Varda
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Manthia Diawara on 'Black Girl'
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M’Bissine Thérèse Diop on 'Black Girl'
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Samba Gadjigo on Ousmane Sembène
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Manthia Diawara on 'Borom Sarret'
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James Gray and Sean Fennessey
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A New Way of Seeing: B. Ruby Rich on Chantal Akerman
'The Cranes are Flying' and Soviet Cinema
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Light in the Darkness: The Impact of Night of The Living Dead
In Her Own Words